Les ressemblances familiales: le monstre de Frankenstein et le fantôme de l’opéra dans la série « Penny Dreadful » (2014-2016)

Dorota Babilas

Résumé


L'article contient uniquement les résumés en anglais.


Mots-clés


Penny Dreadful; Frankenstein; The Phantom of the Opera; mash-up; adaptation

Texte intégral :

PDF (English)

Références


Barthelme, D. (1970). City Life. New York: Pocket.

Blanke, H. (Producer), & Curtiz, M. (Director). (1933). The Mystery of the Wax Museum [Motion picture]. The United States: Warner Bros.

Castle, W. (Producer), & Polanski, R. (Director). Rosemary’s Baby [Motion picture]. The United States: Paramout Pictures.

Clubbe, J. (1991). The Tempest-toss’d Summer of 1816: Mary Shelley’s Frankenstein. Byron Journal, 19, 26-40.

Derrida, J. (1994). Spectres of Marx (P. Kamuf, Trans.). New York: Routledge.

Dickerson, V. D. (1993). The Ghost of a Self: Female Identity in Mary Shelley’s Frankenstein. Journal of Popular Culture, 27(3), 79-91.

Forsyth, F. (1999). The Phantom of Manhattan. New York: Bantam Books.

Halberstam, J. (1995). Skin Shows: Gothic Horror and the Technology of Monsters. Durham, NC: Duke University Press.

Hand, R. J., & Wilson, M. (2002). Grand-Guignol. The French Theatre of Horror. Exeter: University of Exeter Press.

Hawkins, H. (1990). Classics and Trash. Traditions and Taboos in High Literature and Popular Modern Genres. London: Harverster Wheatsheaf.

Hogle, J. E. (2002a). The Undergrounds of the Phantom of the Opera: Sublimation and the Gothic in Leroux’s Novel and Its Progeny. Houndmills: Palgrave.

Hogle, J. E. (2002b). Introduction. The Cambridge Companion to Gothic Fiction. Cambridge: Cambridge University Press.

Hogle, J. E. (2002c). The Gothic Crosses the Channel. In A. Horner (Ed.), European Gothic: A Spirited Exchange 1760-1960 (pp. 204-229). Manchester: Manchester University Press.

Hugo, V. (2006/1869). The Man Who Laughs. Los Angeles: Norilana Books.

Hutcheon, L. (2013). A Theory of Adaptation. London and New York: Routledge.

Kay, S. (1990). Phantom. New York: Doubleday.

King, S. (1983). Danse Macabre. New York: Berkeley Books.

Koszarski, R. (1979). The Mystery of the Wax Museum. Madison: University of Wisconsin Press.

Laemmle Jr., C. (Producer), & Whale, J. (Director). (1931). Frankenstein [Motion picture]. The United States: Universal.

Laemmle, C. (Producer), & Julian, R. (Director). (1925). The Phantom of the Opera [Motion picture]. The United States: Universal.

Leroux, G. (2004/1910). The Phantom of the Opera (J-M. & R. Lofficier, Trans.). Tarzana: Black Coat Press.

Levine, G. (1973). Frankenstein and the Tradition of Realism. Novel, Fall, 14-30.

Lloyd Webber, A. (1986). The Phantom of the Opera. Lyrics by Ch. Hart & R. Stilgoe. London: Her Majesty’s Theatre.

Lloyd Webber, A. (2010). Love Never Dies. Lyrics by G. Slater. London: Adelphi Theatre.

Lofficier, J.-M., & R. Lofficier (2004). His Father’s Eyes. In G. Leroux, The Phantom of the Opera. Tarzana: Black Coat Press.

Logan, J. (Creator). (2014-2016). Penny Dreadful [TV series]. The United States & the United Kingdom: Showtime.

Melor, A. K. (2001). Frankenstein, Racial Science and the Yellow Peril. Nineteenth-Century Contexts, Vol. 21, 1-28.

Mitchell, K. (2010). History and Cultural Memory in Neo-Victorian Fiction: Victorian Afterimages. Houndmills: Palgrave.

Moretti, F. (1983). Signs Taken For Wonders: Essays in the Sociology of Literary Forms. London, New York: Verso.

Myers, A. (2010). His Fathers Eyes by Jean-Marc and Randy Lofficier (2004). The Phantom Project. Retrieved June 27, 2018 from http://phantomproject.pbworks.com/w/page/24625099/His%20Father's%20Eyes%20by%20Jean-Marc%20and%20Randy%20Lofficier%20.

O’Rourke, J. (1989). Nothing More Unnatural: Mary Shelley’s Revision of Rousseau. ELH, 56(3), 543-59.

Picard, T. (2016). Sur les traces d’un fantôme. La civilisation de l’opéra. Paris: Fayard.

Sanger, J. & Brooks, M. (Producers), & Lynch, D. (Director). (1980). The Elephant Man [Motion picture]. The United States & The United Kingdom: Brooksfilms.

Shankun, Z. (Producer), & Weibang, M-X. (Director). (1937). Song at Midnight[Motion picture]. The Republic of China: Xinhua Film Company.

Shelley, M. (2005/1818). Frankenstein; or, the Modern Prometheus. [Kindle]. New York: Barnes and Noble. Retrieved January 21, 2018, from www.amazon.com.

Siciliano, S. (1994). The Angel of the Opera. New York: O. Penzler Books.

Sweet, M. (2002). Inventing the Victorians. London: Faber & Faber.

Veeder, W. (1986). Mary Shelley and Frankenstein: The Fate of Androgyny. Chicago: University of Chicago Press.

Wittgenstein, L. (1969). Philosophical Investigations. London: Blackwell.




DOI: http://dx.doi.org/10.17951/lsmll.2019.43.2.135-143
Date of publication: 2019-07-03 11:00:42
Date of submission: 2018-06-29 15:47:38


Statistiques


Visibilité des résumés - 1820
Downloads (from 2020-06-17) - PDF (English) - 503

Indicateurs



Renvois

  • Il n'y a présentement aucun renvoi.


Droit d'auteur (c) 2019, Dorota Babilas

Licence Creative Commons
Ce(tte) œuvre est mise à disposition selon les termes de la Licence Creative Commons Attribution 4.0 International.