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Diesen Artikel per E-Mail versenden Der Neobarock und die Amerika-Erfahrung in Junot Díaz’ „The Brief Wondrous Life of Oscar Wao”
Abstract
Der Band enthält die Abstracts ausschließlich in englischer Sprache.
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Díaz, J. 2007. The Brief Wondrous Life of Oscar Wao. New York: Riverhead Books.
Egginton, W. 2010. The Theater of Truth: The Ideology of (Neo)Baroque Aesthetics. Stanford: Stanford University Press.
Hall, S. 1990. Cultural identity and iaspora. In: J. Rutherford (ed.), Identity: Community, Culture, Difference. London: Lawrence & Wishart, 222-237.
Kaup, M. 2012. Neobaroque in the Americas: Alternative Modernities in Literature, Visual Art, and Film. Charlottesville: University of Virginia Press.
Krumrey, D. 2010. Translocality in the new post-American immigrant literature. In: J. Datema, D. Krumrey (eds.), Wretched Refuge: Immigrants and Itinerants in the Postmodern. Newcastle: Cambridge Scholars Publishing, 27-40.
Maver, I. 2009. Diasporic Subjectivity and Cultural Brokering in Contemporary Post-Colonial Literatures. New York: Lexington Books.
Ndalianis, A. 2004. (Neo)Baroque Aesthetics and Contemporary Entertainment. Cambridge: MIT Press.
Riofrio, J. 2008. Situating Latin American masculinity: Immigration, empathy and emasculation in Junot Díaz’s Drown. ATENEA, 28(1), 23-36.
Salgado, C. A. 1999. Hybridity in New World Baroque Theory. The Journal of American Folklore, 112(445), 316-331.
Sarduy, S. 2010. The Baroque and the Neobaroque. In: L. Parkinson Zamora, M. Kaup (eds.), Baroque New Worlds: Representation, Transculturation, Counterconquest, Durham: Duke University Press, 270-291.
DOI: http://dx.doi.org/10.17951/lsmll.2017.41.2.126
Date of publication: 2018-01-02 15:01:08
Date of submission: 2017-03-31 23:17:47
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