„Galaxie der Bedeutungen”: „88 Constellations for Wittgenstein” von David Clark als Paradigma für Bartesianischen geschriebenen/gelesenen Text

Wojciech Drąg

Abstract


Der Artikel enthält das Abstract auschließlich in englischer Sprache.

Schlagworte


electronic literature; digital biography; writerly text; hybridity; experimental life-writing

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Literaturhinweise


Barthes, R. (1970). S/Z. (R. Miller, Trans.). Malden: Blackwell.

Butler, K (n.d.). Wayfinding in Wittgenstein’s World: 88 Constellations. Brain Pickings. Retrieved January 1, 2020, from https://www.brainpickings.org/2010/02/03/88-constellations/.

Clark, D. (2008). 88 Constellations for Wittgenstein (to be played with the Left Hand). Retrieved January 1, 2020, from http://88constellations.net/88.html.

Clark, D. (2015). Pictures in the stars: 88 constellations for Wittgenstein and the online “biography”. Biography, 38(2), 290-296.

Cornis-Pope, M. (2014). Literature and multimedia through the latter half of the twentieth and early twenty-first century. In M. Cornis-Pope (Ed.), New Literary Hybrids in the Age of Multimedia Expression: Crossing Borders, Crossing Genres (pp. 3-23). Amsterdam: John Benjamins.

Hayles, N. K. (2012). 88 constellations for Wittgenstein. In Medias Res. Retrieved January 1, 2020, from http://mediacommons.org/imr/2012/02/03/88-constellations-wittgensten.

Hayles, N. K. (2016). Foreword. In S. Groes (Ed.), Memory in the Twenty-First Century (pp. x-xiii). Basingstoke: Palgrave Macmillan.

Johnston, D. J. (2016). Aesthetic Animism: Digital Poetry’s Ontological Implications. Cambridge: MIT Press.

Manovich, L. (2001). The Language of New Media. Cambridge: MIT Press.

Montfort, N., & Husárová, Z. (2012). Shuffle literature and the hand of fate. electronic book review. Retrieved January 1, 2020, from https://electronicbookreview.com/essay/shuffle-literature-and-the-hand-of-fate/.

Novak, J. (2017). Experiments in life-writing: Introduction. In L. Boldrini, & J. Novak (Eds.), Experiments in Life-Writing: Intersections of Auto/Biography and Fiction (pp. 1-36). London: Palgrave Macmillan.

Nye, D. E. (1983). The Invented Self: An Anti-Biography, from Documents of Thomas A. Edison. Odense: Odense University Press.

Olsen, L. (2005). Notes toward the musicality of creative disjunction, or: Fiction by collage. Symploke, 12(1), 130-135.

Pavić, M. (1984). Dictionary of the Khazars. London: Vintage.

Pavić, M. (1998). The beginning and the end of reading – The beginning and the end of the novel. Review of Contemporary Fiction, 18(2), 142-146.

Prager, K., & Hannesschläger, V. (2017). From “anti-biography” to online biography? In W. Hemecker, & E. Saunders (Eds.), Biography in Theory: Key Texts with Commentaries (pp. 256-262). Berlin: Walter de Gruyter.

Rettberg, S. (2019). Electronic Literature. Cambridge: Polity Press.

Solove, D. J. (2004). The Digital Person: Technology and Privacy in the Information Age. New York: New York University Press.

Spiegelman, A. (1980). The Complete Maus. New York: Pantheon.

Van Dijk, Y. (2014). Picking up the pieces: History and memory in European digital literature. In M. Cornis-Pope (Ed.), New Literary Hybrids in the Age of Multimedia Expression: Crossing Borders, Crossing Genres (pp. 107-122). Amsterdam: John Benjamins.




DOI: http://dx.doi.org/10.17951/lsmll.2020.44.2.113-122
Date of publication: 2020-07-14 13:48:38
Date of submission: 2020-02-12 08:55:13


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