People are like Fan Fiction. On an Example of Fanfik by Natalia Osińska

Bogusz Malec

Abstract


The article concerns the analysis of Fanfik, a young adult novel written by Natalia Osińska, especially a metaphorical meaning of its title. It is associated with studies of fan culture, that are using a metaphor as a research tool, such as Henry Jenkin's metaphor of the textual poacher, which organizes a kind of framework for better understanding fan creativity. Cultural studies are linked with radical feminism and its postgender thesis to inrterpret the title of the novel in an existential and phenomenological view. The plot of the novel challenges ideological postulates of identity politics based on a concept of narrative identity. Therefore, fan fiction is understood primarily as a social phenomenon. It is opposed to a traditionalist perception of a book itself, which is also analysed in a metaphorical sense, that is connected with the popular sentence: „people are like books”. A purpose of the article is to show that is more likely to say: „people are like fan fiction”.


Keywords


fan fiction; Fanfik; narrative identity; Natalia Osińska; postgenderism; radical feminism; textual poaching

Full Text:

PDF (Język Polski)

References


Beauvoir S.de, Druga płeć, t.1, przeł.G.Mycielska, M.Leśniewska, Warszawa 1972.

Burzyńska A., Kariera narracji. O zwrocie narratywistycznym w humanistyce, „Tek­sty Drugie” 2004, nr 1–2, s.43–64.

Certeau M.de, Wynaleźć codzienność. Sztuki działania, przeł.K.Thiel-Jańczuk, Kraków 2008.

Derecho A., Archontic Literature: A Definition, a History, and Several Theories of Fan Fiction, [w:] Fan Fiction and Fan Communities in the Age of Internet. New Essays, pod red.K.Busse, K.Hellekson, Jefferson 2006, s.61–78.

Goldberg M., What is a woman? The dispute between radical feminism and trans­genderism, „The New Yorker”, 4 sierpnia 2014, [online:] https://www.newyorker.com/magazine/2014/08/04/woman-2 [data dostępu: 11.09.2017].

Hanisch C.(i in.), Forbidden Discourse: The Silencing of Femnist Critisism of „Gen­der”, [w:] „Meeting Ground on Line”, 12 sierpnia 2013, [online:] http://meetinggro­undonline.org/wp-content/uploads/2013/10/GENDER-Statement-InterActive-930.pdf [data dostępu: 11.09.2017].

Jakubowski P., Pułapki tożsamości. Między narracją a literaturą, Kraków 2016.

Jenkins H., Textual Poachers. Television Fans & Participatory Culture, New York 1992.

Jones R., From Shooting Monsters to Shooting Movies: Machinima and the Trans­formative Play of Video Game Fan Culture, [w:] Fan Fiction and Fan Communities in the Age of Internet. New Essays, pod red.K.Busse, K.Hellekson, Jefferson 2006, s.261–280.

Kobus A., Fanfiction a funkcjonowanie literatury popularnej. Zarys perspektywy historycznej, „Kultura Popularna” 2013, nr 3 (37), s.146–158.

Osińska N., Fanfik, Warszawa 2016.

Parrish J. J., Metaphors We Read By: People, Process, and Fan Fiction, „Transforma­tive Works and Cultures” 2013, nr 14, [online:] http://journal.transformativeworks.org/index.php/twc/article/view/486/401 [data dostępu: 11.09.2017], DOI: http:// dx.doi.org/10.3983/twc.2013.0486.

Stasi M., The Toy Soldiers from Leeds. The Slash Palimpsest, [w:] Fan Fiction and Fan Communities in the Age of Internet. New Essays, pod red.K.Busse, K.Hellekson, Jefferson 2006, s.115–133.




DOI: http://dx.doi.org/10.17951/arte.2017.2.175
Date of publication: 2018-01-15 13:58:47
Date of submission: 2017-10-05 17:48:33


Statistics


Total abstract view - 1699
Downloads (from 2020-06-17) - PDF (Język Polski) - 0

Indicators



Refbacks

  • There are currently no refbacks.


Copyright (c) 2018 Arte Humanae

Creative Commons License
This work is licensed under a Creative Commons Attribution 4.0 International License.